Uluwatu Temple

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Uluwatu Temple located on the very steep valley on the west of Pecatu Village, in the district of Kuta, Badung Regency, about 30 km from Denpasar. It can be reached by any cars, the road are paved but rather steep.

Uluwatu Temple perches at the south-western tip of peninsula, where sheer cliffs drop precipitously into the clear blue sea. Uluwatu Temple hangs right over the edge! You enter it through an unusual arched gateway flanked by statues of Ganesha. Inside, the walls of coral bricks are covered with intricate carving of Bali’s mythological menageries. But the real attractions the in the location – for a good angle, especially at sunset, walk around the cliff to the left (south) of the temple.

Watch out for the local monkeys, which for some reason like to snatch spectacles and sunglasses, as well as handbags, hats and anything else they can get. Uluwatu Temple is one of the several important temples to the spirits of the sea to be found along the southern coast of Bali. Way back in the 11th century the Javanese priest Empu Kuturan first establish a temple here. Uluwatu Temple was added to by Nirartha, another Javanese priest who is known for seafront temples, like Tanah Lot, Rambut siwi and Pura sakenan. Nirartha retreated to Uluwatu for his final days, when he attained moksa, freedom from earthly desires.

Mythology :
There is a story about Hindu priest from Java called “Dang Hyang Nirartha” or “Pedanda Sakti Wawu Rauh”, full of mystical episodes since his arrival until his disappearance in Bali. One of Hindu teaching is the same as other religion that is concerning the world after death or the “here after world ” This world is contrasted into two polarization such as Eden garden and hell. For that devotee, a promise of all goodness and happiness are there which is called “Sorga” In the tradition of Hindu in Bali it is said that the “Sorga” is undeceived by words, and unduplicated with picture. Where truth is an absolute, and body is embraced into it, so it only exist “enlighten “.

But one can not enter the Sorga with worldly body except their holy spirit when he/she during the life had completed duties and behaved as indicated by religious teaching. The other way one can reach Sorga by the way called “Moksa”. It is not quiet clear what is actually meant by the word “Moksa”. Many assumptions arose. One thought it is a body sublimation, that one who has reach his stage of Moksa disappeared in the world without living his/her physical body. This stage can only be reached with a severe body control on senses while developing knowledge by meditation or hermitage.

Others thought that when a person dead, their spirit become one with the absolute being, and will not experience rebirth (Sanskrit: Samsara) anymore. Since life is basically a punishment of sins and misdeeds of their past life (Sanskrit: Punarbawa). So, actually based on the last teaching human being during his life is stirred to do the good thing Dang Hyang Nirarta is believed the one that have reached such stage, and he accomplished his Moksa on a spot of land which is believed to be the sacred place. In this sacred place then was built a temple called Ulu Watu.

That was why the place has been considered a very special place by the king in the past. It is not only Uluwatu temple that is associated with Dang Hyang Nirarta, but many temple such as Ponjok Batu at North West Bali, Rambut Siwi in Negara regency and Sila Yukti in East Bali. It is probably the claim from Hindu priest in the past that their role in the society was unquestionable.

Tanah Lot Temple

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It is located at Braban Village, Kediri District, Tabanan Regency. It is about 13 km from the closest city of Tabanan, about 30 km from the main city Denpasar. It can be reached by motorcycle and road fairly good. From Denpasar you can go from Denpasar’s Ubung terminal to tanah lot via Kediri and then from Kediri turn left around 11 kilometer.

The spectacular location of Tanah Lot is possibly the best known and most photographed temple on Bali.  The tourist crowed here are phenomenal, especially at sunset, and the commercial hype is terrible. Tanah Lot sunset tours are heavily promoted in all tourist areas. The temple perched on a little rocky islet, look superb whether delicately lit by the dawn light or starkly outlined at sunset. But can it ever live up to the hype! For the Balinese, Tanah Lot is one of the important and venerated sea temples.

Like Pura Uluwatu, at the southern end of the island. The name of Tanah Lot Temple in tourism bibliography about Bali almost never absent. The name Tanah Lot is probably from “Tanah laut ” means land in the sea. It is the fact that the strong sea abrasion has separated the temple area with Bali mainland, so it looks that the temple nests on a small speck of rock building up on the ocean. Despite the fact that strong hit of sea wave but the site is still standing while the whole sides have disappeared by the raged waves of hundreds of years.

No historical record is found so far to construct the history of the temple. Scripture of Dang Hyang Nirarta mentions that the priest Dang Hyang Nirarta had visited the temple and asked the people around the area to build shrine. While the priest also educates the fishermen there in making fish trap. The temple as a whole is dedicated to the god of the sea. Fishermen pray to get fish and prosperity. A story mentions that one of the shrine at Batukaru temple was lost, and was found here standing at Tanah Lot temple complex.

It was very probable that the temple was built by Mengwi kingdom as the sea temple. A kingdom in Bali normally had 3 main temples, one located near the sea, one in the city or near the palace, and one on the mountain or near the mountain. This concept of 3 temples has also influenced the smaller unit of Balinese settlement in the level called “Banjar “. Every Banjar in Bali has also 3 main temples dedicated to different way of worshipping the gods and ancestor’s spirits.

Now only 3 villages that responsible for the temple those are all nearby villages of Braban, Kelating, and Tibu Biyu, and still as the temple for Mengwi palace. The ceremony is performed every 6 month, based on Hindu-Java calendar which is already printed out during November every year. For tourists, it is not only the traditional magic of the temple is interested, but the location in the natural setting, especially during the sunset, the temple changes into silhouette against the sunsets above Indonesian ocean.

Kintamani

Kintamani-BaliKintamani can be reached from the south with 2 routes in from Ubud (45 minutes), and one each from Besakih (1 hour) and Bangli (30 minutes). There is also an easy way in from the north via a turning off the coast road east of Singaraja (1 hour). From the popular tourist destinations in South Bali, a trip to Kintamani by car will take 90 minutes plus.The area of north-eastern Bali at the Mount Batur caldera, and which encompasses Penelokan, Toya Bungkah, Batur and Kintamani villages, is known widely as just Kintamani.

Kintamani, Batur and Penelokan villages sit on the rim of the huge Batur caldera about 1,500m above sea level, and offer dramatic views of the active volcano MountBatur and serene LakeBatur. Toyo Bungkah village is down at the lake edge.  As well as the lake and the volcano, Kintamani is home to Pura Ulun Danu Batur, one of Bali’s key nine directional temples . The main attraction for visitors is located around LakeBatur where Penelokan village provides spectacular views of this Crater Lake and Mount Batur, set in a vast volcanic caldera.

Photo opportunities abound, but try to be there as early in the morning as you can manage before the cloud inevitably starts to gather. Further northwest along the rim of the caldera is Pura Ulun Danau Batur, one of the most important temples in Bali.  The temple was rebuilt up on the caldera ridge in 1926 after an eruption of Mount Batur destroyed the old one down in the crater. There are a large number of shrines, but most visitors are drawn to the huge eleven roofed meru in the inner courtyard.

This is dedicated to the goddess of the lake, Ida Batara Dewi Ulan Danau who is regarded as the controlling deity of the whole water and irrigation system of Bali. A virgin priestess is resident at the temple to represent the goddess, and she is served by 24 priests who are chosen as young boys and then keep the role for their lifetime. This is a strong example of just how importantly water and irrigation matters are regarded in traditional Balinese culture.

You can visit the Bali Aga village at Trunyan on the eastern shore of the lake by boat from Kedisan. This is recommended in some guides, but first hand reports are frequently negative and speak of some problems. This is an isolated community and one which is not particularly welcoming to tourists, despite relying on income from visitors. If you really must go, catch a boat at the lakefront in Kedisan (or you can charter a boat from Toyo Bungkah) and make sure the price is clearly understood before departing, and that the entrance donation to the Trunyan villagers is included. When you arrive at Trunyan, the key attraction is the cemetery.

Ancient customs retained by the Bali Aga here include the open burial of dead bodies in a pit covered by just some light cloth. If you want to visit a Bali Aga village though, then Tenganan near Candidasa is a far better option. One of the best things about a visit to Trunyan is the views of Mount Batur from the eastern shore of the lake. This provides a very different perspective from the usual view from the crater rim. You can though get those same views by taking the small road around the southern edge of the lake through the villages of Kedisan (where there are a few simple places to stay and eat), Buahan and on to the tiny settlement of Abang.

The road ends at Abang, a four wheel drive vehicle is more appropriate for this skinny and at times very steep road (but you can explore the eastern shore of the lake further on foot, all the way to Trunyan (about 4 km) if you are feeling energetic (you will be stopped by locals along the way asking if you want to go to Trunyan, they may even follow you and tell you that you cannot go there on foot and you must take a boat with them. Take plenty of water for the walk and be prepared for steep hills.

Ulun Danu Temple

3.Ulundanu

It is located in at Bedugul village, Baturiti district, Tabanan Regency, 1240 meters above the sea level .It is about 62 km from Denpasar and can be reached by motorcycle as the roads are fairly good

This high land destination is located just outside of the small town of Bedugul. A beautiful temple is sited on the soars of lake Bratan and casts a neat reflection it its still waters. Ulun Danu Temple takes on an ephemeral quality at dawn, five hundreds meters from the fruit and the vegetable market Bedugul, and actually projecting into the lake, is the Hindhu / Buddhist temple of Pura Ulun Danu. It’s very picturesque, with a large banyan tree at the entrance, attractive gardens and one courtyard isolated on a tiny island in the lake. Ulun Danu Temple founded in the 17th century, is dedicated to the goddess of the waters.

It is the focus of the ceremonies and pilgrimages to ensure the supply of water. Ulun Danu has classical Hindhu thatched-roof merus (multi-roofed shrine) and an adjoining Buddhist stupa. This very important Hindu-Buddhist temple was founded in the 17th century. It is dedicated to Dewi Danu, the goddess of the waters, and is actually built on small islands, which means it is completely surrounded by the lake. Both pilgrimages and ceremonies are held here to ensure that there is a supply of water for farmers all over Bali.

The temple is truly beautiful, with classical Hindu thatch-roofed Meru (multi-roofed shrines) reflected in the water and silhouetted against the often cloudy mountain backdrop – one of the commonest photographic images of Bali. A large banyan tree shades the entrance; walk through manicured gardens and past an impressive Buddhist Stupa to reach the lakeside. An unfortunate aspect is the small animal zoo, left of the main entrance, where tourists are encouraged to be photographed alongside snakes, bats and iguanas, all of which appear to be kept in less than humane conditions.

Jimbaran

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Jimbaran is directly south of the airport, on the way from Denpasar towards Nusa Dua.Jimbaran village is the narrow neck of Bali Island, and thus it has two remarkably different beaches. On the west, Jimbaran Beach faces the Jimbaran Bay, recently lined by new luxurious resorts. On the east, the beach faces the body of water sheltered by Benoa Harbor.

Jimbaran is a sleepy cove where fleets of fishing boats color the scene. Formerly a relatively quiet area, its image has improved dramatically with the opening of the beautiful Four Season’s Resort and the Inter-Continental. The last couple of years, it has become even busier still with grilled seafood restaurants going up at a rapid pace along the beach, attracting local families and tourists in droves.

Located on Bali’s west coast, Jimbaran Beach offers a small-secluded beach area, where tranquility and perfect peace is the perfect antidote to a stressful world. The land gently slopes away from the beach revealing exclusive celebrity haunts hidden under a canopy of leafy tropical forest.

A popular spot for windsurfing and sailing small craft, which are available for rent, Jimbaran’s grey sand and calm waters are attracting more people but the beach still has a sleepy feeling. A day at Jimbaran is made even more popular because of the all the wonderful options to eat. Choose from simple local food, the freshest fish or 5-star luxury. It is also a popular spot for sunset.

Goa Gajah

Goa gajah1It lies at Bedulu village, Blahbatuh District, Gianyar Regency, surrounded by rice fields and beautiful banks of Petanu River, and right on the tourism route Denpasar.

Goa Gajah (elephant cave) located two kilometers east of Ubud , this complex overlooks the Petanu river and consists of a SiSwati rock-cut cave, a bathing place, a monks’ chamber, a number of Buddhists rock cut Stupa and statues , and several foundations.

Dating from the 11th century, the temple features statue of Ganesh , Hariti and a sacred bathing pool.The actual site of Goa Gajah (Elephant cave) is down a flight of steps south of the car park.

There were never any elephant on Bali; the cave probably takes its name from the nearby Petanu River which at one time was known as Elephant River, or perhaps because the face over the cave entrance might resemble an elephant.

In the courtyard at Goa Gajah Temple can be found an ancient source of holy water, 12 by 23 meters in size, divided into 3 compartments. The name Goa Gajah  was probably derived from a name mentioned in a scripture called Negara Kertagama written during the reign of His Majesty King Hayam Wuruk of Majapahit kingdom. In this scripture is mentioned that the king had a hermitage on the slope of a mountain called “Lwa Gajah”. Other assumption come from the shape of the cave which entrance is decorated with carving to look like monster, and from a distance look like elephant head. Another said that the name is come after a Ganesha wooden statue which is put in the cave.

Ganesha is a mythological son of Shiva, with human body and elephant head. First excavation was conducted in 1950 based on the surface findings and the scriptures. Before it was excavated the area was totally buried and no indication of the bathing place and the cave. The excavation by National Archaeological Service was successful and could disclose a monumental heritage.It seems that Goa Gajah is a hermitage place for the Buddhist priest or what is later known as Shiva-Buddha Syncretism, since there is remains of Buddhism and Shivaism such as Lingga-Yoni symbol, and the Hariti Fertile Mother.

It was also probable that the oldest Buddhism remains is here, as a Buddhist statue just 25 meters north of the cave was found bearing the same style with those found in Borobudur.On the wall of the cave was written Sanskrit word with a type of old writing called ” Kadiri Quadrate ” mentioning ” Sahivansa “. It is not known what is the meaning exactly. The writing style was developed during the flourish of Singhasari kingdom in East Java around 13th century.

Now the problem still could not be solved is the presence of bathing place with sculpture water fountain. The architecture of this bathing place showing the same style and architecture as those bathing place in East Java called ” Belahan “. While this bathing place has already been disclosed that it was built by king Erlangga of Mataram kingdom in the 10th century. It was probable that the site of Goa Gajah has been continuing from 9th century until much later time of 13th century of Majapahit kingdom.

One important information from the bathing place in East Java is on it’s wall is written ” Udayana Gempeng ” which means Udayana is dying of love ” While the figure Udayana is known as one of the famous king in Bali during 11th century. Historian supposed that the king was falling in love with one of the princess of East Java which was in fact the Princess Mahendradatta that he married and ruling Bali together. The princess was died earlier and was said to have been rested at Burwan.

Another fact that is very important for Balinese since the marriage of above couple is that, all ancient Balinese language was changed into old Javanese Language, the introduction of Hindu-Javanese Calendar which is consist of 7 days a month, and 210 days a year. It is strongly believed that since this time the most important Holiday of Balinese was started such as Galungan and Kuningan holiday.

Gunung Kawi Sebatu

Gungkawi1Gunung Kawi Sebatu  temple located around 40 kilometers from the main city Denpasar. Here is one of Bali’s prettiest temples called Gunung Kawi temple (not confused with Gunung Kawi rocky temple in Tampaksiring).

Gunung Kawi Sebatu  temple was built in homage to the God of preserver (Wisnu), who rules over water, and here one finds a number of natural spring and waterspouts. The Balinese believe that water is one of the forces of life. The etymology of Gunung Kawi means a fabricated mountain.

It lies west of Sebatu village, which is elevated and its name means slipping on a stone. It is said in the times of King Mayadenawa, an evil King who did not believe in the existence of the God, that this area was where he chased with his soldiers by the Gods in a famous battle. At first he battled with the Gods at the great Besakih temple and then came to sebatu via the village of Taro.

Both the soldiers of Mayadenawa as well as the local villagers fled in their fear (the former of the gods, the latter of the evil King) and slipped on stones. Seeing that local people were innocent and sin free, the God Wisnu gave a source of life (holy water). As a way of showing their gratitude, they built this temple to the Wisnu’s God, which has much water, waterspout for bathing as well as a special pool of holy water. A natural spring flows from the heart of the temple into a pool so clear that you can count the scales on the huge goldfish ghosting around the opulent island shrine at its center.

Holy water is requested at an adjacent small shrine while nearby, and still within the temple walls, are the open-air public baths. The visitors are welcome to explore the other courtyards where the shrines and pavilions are lovingly maintained by the people of nearby Sebatu.

Tirta Empul Temple

Tirta-empul3It is about 36 km from the city of Denpasar, in Tampak siring district, Gianyar regency. The roads are good and paved can be reached by any cars.

Tirta Empul Temple bequeathed to the people by ancient Rajadom is perhaps one of the most fascinating spot in the area. On the west side of this temple, high on the hill could be found a Presidential palace that was built during Soekarno’s time. Which is an unspectacular; single-storey structure with several outbuildings designed by Sukarna himself and built in 1954 on the site of a Dutch rest house. The name of Tirta Empul derives from large spring in the center of the Temple “Tirta “mean holy water and Tirta Empul is Holy spring water.

The Tirta Empul’s water flowing down to the Pakerisan’s river. Along the Pakerisan River there are some ancient monuments. The temple was built around 960 AD, during the ruled of Raja Candra Bayangsingha from the Warmadewa dynasty. Coforming with the structure of the most Balinese temple, it is divided into three main courtyards such as: the outer yard, the middle yard and the inner yard or the holiest part of the temple where the prayers take place.

Mayadenawa Raja Batu Anyar, of Bedulu, and Bhatara Indra. In the ancient tale the Raja Mayadenawa was such a tyrant forbade the people to carry out their religions activity to request the blessing of God. The Gods heard about this tyranny, and led by Bhatara Indra they attacked Mayadenawa. In the end he lost the battle and run away to hide in the forest to the north of the village Tampak Siring. With his magic powers He created a spring of poison.

Which coursed the death amongst Indra’s troops who drank the water with poison from the poisonous spring? In fury Bhatara Indra drove his spear into the ground at the point where the spring was bubbling up, rerouting it come out through the centre of Tirta Empul. His holy water was used to splash upon the afflicted Gods and revive them from the grasps of death. This mythology the expedition of Patih (minister) Gajah Mada from Majapahit courned Bali 1343 is symbolized Bhatara Indra, and the evil Raja Mayadenawa as Bhatara Cri Astasura Bhumi Banten.

According to folklore this myth is also connected to the Galungan day, which is celebrated every 6 months (210 days) according to the Balinese calendar, on a day known as “Hari Rebo Kliwon Wuku Dungulan” Galungan is a day on which battle beween good (Darma) and evil (Adharma) is commemorated. Every year on the day of Galungan all the sacred dance masks in Gianyar district are brought to the temple of Tirta Empul to be bathed in holy water.

The holy springs Temple at Tirta Empul are believed to have magical powers where most of the Balinese do the purification so the temple here is an important one. Despite its antiquity, the temple is glossy and gleaming new – it was totally restored in the late 60s. The inscription mentions the construction of Tirta Empul temple in 960 AD, when the king Chandrabhaya Singha Warmadewa ordered this which is already 1042 years ago.

It seems that this place was not interesting for ancient king but the first Indonesian president Soekarno had built his presidential villas just at the west side of the temple. This villa has brought also the name of Tampaksiring become known world widely. The present temple as a common temple of Bali, the layout is divided into 3 courtyards. At the middle courtyard is constructed and first courtyards were constructed:
1.Pool with 13 fountains, used as holy water for cremation or dead ceremony,
2.Pool with 8 fountains, used as water for symbolic cleaning ( spiritual purification ), when a person is sick it is believed he is infected by immaterial dirt.
3.Pool with 5 fountains for holy water used people from outside come to pray.

At the first courtyard is also a pool for public bathing place.
Total numbers of shrines are 30 nits currently, after later addition by local people who have the responsibility for the temple. The ceremony is performed every 210 days, and fixed date can be read in Balinese calendar. There is an old stone sculpture being preserved at the last courtyard of the temple in the form of buffalo. The condition of the carving is badly damage, so it can not be observed in detail to fix the type. Buffalo in the pantheon of Hindu is considered as the mount of god Shiwa and this animal is called ” Nandi.

Batubulan Village

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Batubulan is an artistic countryside in west part of Gianyar regency. The identity and image as an art village, Batubulan has been famous in Indonesia and all over the world which has been built based on an artistic blessing dance of Barong (Barong and Keris dance). Barong Dance is daily performed at five different stages in this countryside, like Puseh Temple Stage, Tegal Tamu Stage, Denjalan Stage, Sahadewa Stage and Sila Budaya Stage. The fascination of this Tourism Cultural Object is from variety of quality artistic potency. Batubulan Village is covering the dance art, artistic of Kerawitan, artistic of idol and article art.

The beginning of Batubulan Village is an agrarian village which is sustained by carves the ledge stone. Relying on artistic potential, strategic location and open village network by local, national, and global, then this village grows as tourist destination which is popular with Tourism Cultural Object. Entire Bali Tour Packages to Middle of Bali or east part Bali are started from Batubulan Village . Batubulan Bus Station is strategically located as node communications to seven towns in Bali those are Denpasar, Badung, Gianyar, Bangli, Klungkung, Karangasem, and Singaraja. Batubulan is the opener relationship to reach the network entire of Bali Island .

This village is located 8 KM from Denpasar town and it is consisted of three custom countryside, those are: Desa Adat Tegal Tamu, Desa Adat Jero Kuta and Desa Adat Delod Tukad. It is coming within 16 Banjar demographically, this village is pertained by an overpopulated village with the amount of the year resident 2003 equal to 11.333 people by 2.775 family. The name of Batubulan is etymologically taken from two word that are: Batu and Bulan (moon stone).

Pre-eminent tourism sites and especial fascination of Batubulan Village in map of Bali Tourism are Barong Dance and stone carving art. This Tourist destination is become more famous because sustained by tourism fascination non-stopped expand and immeasurable. As a tourism object and stone carving business area, Batubulan village is visited by tourist of foreign countries and domestic since in the morning time until evening time. At 09:00-10:30 am daily, Barong Dance is held while at 18:00-19:00 pm, the Kecak Dance or Bali Night performances are executed.

Celuk Village

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Celuk Village is the famous village in Bali as a tourist destination cause of the local residents is very proactive and full of innovation to the gold and silver crafting. This countryside is located in sub district of Sukawati, Gianyar Regency and owns the individuality and excellence in production of gold and silver crafting. Most of them are Balinese professional, artistic and skillful of design development related to the silver and gold crafting.

The productions of gold and silver at this village have penetrated to the local, national and international market. It can be measured from the type of artwork result and variation of ornament, good as present and also export commodity. The type of gold and silver craft has been produced in this countryside are covering various of rings, bangles, chokers, earrings, mother of pearls, Tusuk Konde, broach and other types. Beside of that, Celuk’s workers are able to response the market demands and produce the modern product like medal, maket and culture symbol. In spanning of artistic growth history, the silver and gold crafting had been started by a group of family pertained by Clan Pande.

From this family circle, the activity of gold and silver crafting has disseminated to entire society as a top profession which are previously as the farmer. In year 1970’s decades, it has been happened the change of countryside society culture significantly from agrarian society structure to industrial society structure of crafting. Even nowadays, some of them have jumped again to the economic structure of service by focusing in tourism industry. The change and jumping movement of these structures have brought the new positive impact for prosperity. Celuk Village, Kuta and Ubud are the prosperous countryside in Bali by the higher resident’s income cause of tourism.

Celuk Village is strategically located in main road from Denpasar to Gianyar regency which is about 5 km from Denpasar town. The next door villages are Batubulan Village which is famous of Barong dance and stone carving, Singapadu Village with the art village equipped by places of recreation such as Bird Park and Bali Zoo Park, Batuan Village with the traditional painting, Guang village with the wood carving and Sukawati as a center of art market. Along way of Celuk Village about 2 km, we will find in the left and right side the various type of gold and silver shop which are opened to the domestic and international tourist. It is also inside of this village, we will find the activities and workshop of crafting which are ready to be ordered in small or huge number.